Each
completed vase which met quality control standards was ground flat on the bottom
and a concave area was ground out in the center. Here was etched the Fenton
oval and "1975" plus the artists initial and number sequence were hand scribed.
A photograph of a typical vase bottom with inscriptions is shown in my article
"A Tale of Two Vases". A certificate
booklet , signed, and including the Fenton corporate seal, also shown in my
previous article, accompanied each piece.
Pieces
which did not meet standards were either ground down (back row - left) if there
was a structural problem with the top - or satinized if the flaw was only in
the pattern. From the numbers of these seconds pieces which appear on Ebay -
there must have been considerable "spoilage". The seconds I have seen are lightly
etched with the Fenton oval and "1975 S". Sometimes this marking is almost invisible.
I
believe only two Fenton craftsmen made all of the Barber pieces - David L Fetty
and Delmer Stowasser. At last year’s National Fenton Glass Society Convention,
Dave graciously gave a talk on the making of the Barber pieces. Each piece had
to be individually blown, shaped, decorated and finished manually. Because of
the amount of labor involved, retail prices were high. I have an original price
sticker for a 0005ST Summer Tapestry and it is for $200. Think of that in 1975
dollars and what the price would be today just factoring in inflation. Because
of the high prices, these vases sold slowly at best and it took some time before
inventories were sold off. At any rate - Frank Fenton has been quoted as saying
that the Barber undertaking was one of the biggest money losers that Fenton
has undertaken.
Compared to the original selling prices, you can buy these rare
pieces today at bargain rates. I have purchased mine through Ebay and private
sources at prices ranging from $250 to $450. Of course, as with any very limited
hand made collection, prices will continue to rise as more collectors become
interested and educated about these beautifully made pieces. Summer Tapestry
seems to bring the highest price followed by the two Labyrinths , Cascade and
Bittersweet Hanging Hearts. This is not in direct correlation to the numbers
produces so it likely reflects the popularity of the color and design. All of
the pieces I have seen for sale are in like new condition - probably reflecting
25 years of careful ownership for a limited edition piece of art. Many still
have the original labels and paperwork - a further indication of the regard
the owners had for them.
Finally, I have a little story to relate about these pieces. An
antique dealer in a rather remote small town attended a house sale where there
was a full set of the ten Barber pieces plus five spares - all in the original
sealed boxes - just as they had come from Fenton. It seems the owner of the
home had been involved with Fenton sales many years ago and these had sat unsold
since then. The dealer, not being especially familiar with the Barber Collection,
thought she might be able to sell them in her shop as "nice vases" for about
$100 each and so offered a low price for the lot. Her offer was accepted and
she moved the collection to her place of business. A colleague suggested she
try selling them a new way - on the Internet at Ebay. Needless to say, she was
surprised and pleased with the results!!